Feature

●We use a Premium Eco-Friendly Paper - Forest Stewardship Council (FSC) certified by the Rainforest Alliance - Certified sourcing by Sustainable Forestry Initiative (SFI) - Made with Total Chlorine Free (TCF) and Elemental Chlorine Free (ECF) virgin fiber content - 10% post-consumer - Process Chlorine Free (PCF) and lignin-free fiber - Manufactured under alkaline (acid-free) conditions for increased longevity
●Bright White Super Smooth Finish Coated Paper
●Heavyweight Paper Stock - 9 mils thick (216 gsm)
●Overall Print Size: 12in X 18in
●Image also available as Fine Art Prints on Heavyweight Matte Paper | Premium Bamboo Fiber Paper | Satin Canvas | Premium Washi Rice Paper | and Natural Fabrics (Silk - Organic Canvas - and Hemp)

[8 x 12 in Wood Sign]




[24 x 32 in Unryu Rice Paper Print]




[24 x 32 in Premium Matte Paper]




[11 x 14 in Rolled Canvas]




[18 x 24 in Premium Matte Paper]




[20 x 26 in Premium Matte Paper]




[12 x 16 in Premium Bamboo Paper]




[16 x 20 in Rolled Canvas]




[16 x 20 in Premium Matte Paper]




[17 x 22 in Premium Bamboo Paper]




[17 x 22 in Unryu Rice Paper Print]




[20 x 26 in Rolled Canvas]




[11 x 14 in Premium Matte Paper]




[12 x 18 in Poster Print]




[18 x 24 in Unryu Rice Paper Print]




[30 x 44 in Premium Matte Paper]




[8 x 12 in Metal Sign]




[18 x 24 in Raw Organic Canvas Print]




[12 x 16 in Unryu Rice Paper Print]




[24 x 32 in Raw Organic Canvas Print]




[10 x 14 in Poster Print]




[13 x 19 in Poster Print]




[27 x 40 in Rolled Canvas]




[9 x 12 in Poster Print]




[18 x 24 in Silk Fabric Print]





Description

Enjoy a taste of Aloha with these beautiful Master Art Prints by Pacifica Island Art - printed in Maui, Hawaii. This print will look wonderful framed in the home, office or restaurant and is perfect for the Vintage Art Collector. - ABOUT THE ARTIST - Karoly Grosz - Born in Hungary, Karoly Grosz was the art director for Universal Studios in their glorious horror heyday and he was responsible for the majority of their posters from this period, including Dracula (1931), Frankenstein (1931), The Old Dark House (1932), The Mummy (1932), Murders in the Rue Morgue (1932) and The Bride of Frankenstein (1935). Grosz usually worked in oil and watercolour and his posters were explosions of colour that depicted a number of key elements: the monster, a damsel in distress, eye-catching title font and studio credits.